Automatically translated. Read the original French text.
Driven by the mother's passion for song and cinema, the show thus serves as a vibrant plea for the power of memories that connect us to the present and the prominent place to be (re)given to vulnerable beings and to care in our fast-paced society. Delivered in choral and musical fashion by three performers - including a pianist - Peut-Être Le Hasard unfolds with refined simplicity, not without humor and tenderness, along the flow of text and emotion.
Following in the path of her first show Ceci est mon corps, Agathe Charnet continues her work of popular, exacting, and tender theatrical autofiction, on the border between pop culture, sociology, and literature.