Chœur et Orchestre de la Gaechinger Cantorey

Presented by the Théâtre des Champs-Elysées (LR-228514). Chœur et Orchestre de la Gaechinger Cantorey Hans-Christoph Rademann conductor Bach in all his choral splendor and diversity. Bach Sinfonia from the cantata Ich stehe mit einem Fuß im Grabe BWV 156, Motet Der Geist hilft unser Schwachheit auf BWV 226, Sinfonia from the cantata Am Abend aber desselbigen Sabbats BWV 42, Motet Fürchte dich nicht BWV 228, Overture to the cantata Ich hatte viel Bekümmernis BWV 21, Motet Komm, Jesu, Komm BWV 229, Motet Jesu, meine Freude BWV 227, Concerto for two violins BWV 1043 (2nd movement), Motet Singet dem Herrn ein neues Lied BWV 225 In a few words A now well-established regular gathering at the Théâtre des Champs-Élysées: that of Hans-Christoph Rademann and his ensemble Gaechinger Cantorey whose concerts are marked by a rare hallmark: that of self-evidence, going straight to the heart of the works. Remarkable choral quality, orchestral transparency, all driven by the communicative energy of a conductor of striking authenticity—everything comes together for great moments of emotion and artistic truth. Tonight, Hans-Christoph Rademann and his ensemble introduce us further to the fabulous Motets of J.S. Bach and their intricate double-choir polyphonies, interspersed with some of the most beautiful orchestral pages of the Cantatas. Production MM Arts