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AVANT/POST is Petit Bain's new rendez-vous dedicated to out-of-the-box music and artists carving their own trajectory. Artists blurring tracks, shifting boundaries, and unsettling certainties. Raw sounds, uncanny textures, oblique rhythms, and bifurcating melodies. Here, experimentation meets instinct, chaos flirts with beauty, and the strange becomes familiar.
Electronic, hyperpop, rock, ambient, post-club, or hybrid forms, AVANT/POST prefers side roads, listening to what trembles beneath the surface, what rumbles in the margins, and what escapes radar.
Like a sentinel of emerging and unruly scenes, AVANT/POST nights step off beaten tracks and explore uncharted territories. Those heralding new aesthetics, unexpected gestures.
Dis Fig
As a producer, performer, vocalist, and DJ, Felicia Chen (Dis Fig) has long evaded simplistic categorization. She first cut her teeth within New York's DIY noise scene before finding her place in Berlin's experimental electronic underground, where her unique artistic sensibility began to crystallize.
Chen's work is characterized by dense and immersive sonic worlds, where overwhelming power sits alongside surprising vulnerability, all carried by a voice whose instinctive ability to connect pierces even the densest soundscapes. Renowned for live performances of intense physicality, Felicia Chen tears down boundaries between audience and artist, using her voice and whole body to convey emotional complexity that transcends language. Whether through crushing walls of sound or barely audible whispers, her work invites shared vulnerability and collective catharsis.
Iceboy Violet
Iceboy's work as a rapper, producer, DJ, and performer explores personal and collective catharsis in the darkness of the club. Emotionally charged vocal performances and deconstructed club music forms serve the crumbling of borders, both external and internal, tenderly touching the most vulnerable parts of ourselves.
Breaking the ice, tirelessly.
Junge Eko
It was her organ-steeped childhood that shaped the singular timbre of Junge Eko's voice. Though she has traveled far from home, the instrument remains a link to a familiar universe, something deeply rooted within her.
Junge Eko challenges the dark heritage of the organ through experimental musical composition and contemporary sound work. Her finely tuned electroacoustic compositions open space for improvisation, exploring a wide palette of dynamics and emotional intensities, until finally finding peace.
Known for her various group projects and collaborations, Junge Eko was critically acclaimed for her debut solo album, WWTAWWTAL: Selwi, which introduced her to an international audience.