Automatically translated. Read the original French text.
Sung in English, surtitled in French/English
Nina Spinosi soprano
Rémy Brès-Feuillet countertenor
Gaël Lefèvre tenor
Florian Boesch bass-baritone
Ensemble Matheus
Choir of the Académie Haendel Hendrix
Jean-Christophe Spinosi direction
The Messiah is undoubtedly the most often played oratorio in the history of sacred music. The libretto contrasts sharply with the other works of this genre of the composer. Instead of exposing a majestic dramatic narrative, the text of the Messiah focuses primarily on the theme of prophecy and meditation. Beyond its famous "Hallelujah", the score illustrates, throughout its three parts, all the splendor of Handel's orchestral and choral writing.