Automatically translated. Read the original French text.
In a relatively undefined rectangular scenographic space (representing at once the hero's mental space, an underground basement, a bedroom...), the show brings to life the voice of the hero of Notes from Underground, who chose to make himself the subject of observation, questioning his thoughts by establishing a dialogue with imaginary gentlemen.
Faced with the certainties of his era, the hero sets his desire, which he calls his "caprice" and which is, according to him, essential to humanity to the extent that man would rather go mad than surrender his fundamental freedom.