Automatically translated. Read the original French text.
Whether through H. G. Wells's time machine or the classic theme of the fleeting nature of time, humans always seem to have wanted to ward off the effects of time, whose irreversibility arouses the dread of an approaching end.
Three characters attempt to grasp time, measure it, deny it, and seduce it in order to win its favors. Many Rooms questions memory and the notion of heritage through subjective perceptions of time, thus blending dance-theatre and performance to the pulse of great rock classics by Pink Floyd.
Engaged in a political and social dimension, this immersive play inspired by liminal spaces denounces passivity, questions the beats of the world to which we attune ourselves, and celebrates the fragility of our existences. Time takes the form of a house with multiple rooms. The intimate and the political answer each other, reminding us that our personal histories are always intersected by History.