Automatically translated. Read the original French text. The source text has changed; this translation is awaiting an update.
Presented by Orchestre de chambre de Paris (L-R-22-7047). More than two hundred and fifty years after its conception, Mozart’s Symphonie concertante pour vents remains shrouded in mystery. The parts were lost when they were sent to the copy and their author proposed to rewrite them. However, there is no trace of such a manuscript and it is not really known where the score “reappeared” at the end of the nineteenth century. The soloists of the Orchestre de chambre de Paris are the performers of this version with flute reconstituted by Robert Levin. Stravinsky also attributes the concertante form to one of his first works, the Concertante Dances, completed on the North American continent. All the orchestra’s desks are invited to enter the dance, rivaling mischievous solos with strong sound identities. From Mozart to Stravinsky, a new work of Ehwa Hong, Order of the Orchestre de chambre de Paris, questions the cultural mirror games: Otherness, Influence, complementarity from one continent to another.The programme:MOZARTConcert Symphony for Winds in E-flat Major, K. 297b EHWA HONGWorld premiere for orchestraCommand of the Orchestre de chambre de Paris as part of the Academy of Young Composers STRAVINSKYDances concertantes Artists:Diego Ceretta, Marina Chamot - Leguay, Ilyes Boufadden - Adloff, Oboe Fany Maselli, BassoonFélix Roth, corOrchestre de chambre de Paris