Automatically translated. Read the original French text.
Bound by a great and beautiful musical complicity, Olivier Baumont, Vicente Romero and Noémie Lenhof mirror sublime pages composed by the Cantor of Leipzig for harpsichord, flute and viola da gamba. Forms and styles of diverse influences thus resonate together: stylus phantasticus and counterpoint, Germanic, French, and Italian influences. The colors of the three instruments converse with finesse and weave a subtle narrative, revealing the genius of Johann Sebastian Bach's suites and sonatas.
Programme:
Sonata in E major for flute and basso continuo BWV 1035
– Adagio ma non tanto
– Allegro
– Siciliano
– Allegro assai
Suite in E minor for harpsichord BWV 996
– Praeludio: Passagio – Presto
– Allemande
– Courante
– Sarabande
– Bourrée
– Giga
Sonata in D major for viola da gamba and harpsichord obligato BWV 1028
– Adagio
– Allegro
– Andante
– Allegro
Sonata in G major for flute, viola da gamba and basso continuo BWV 1039 [BWV 1027]
– Adagio
– Allegro ma non tanto
– Adagio e piano
– Presto