Paul de Brancion, L’ogre du Vaterland & Ma Mor est morte

L’ogre du Vaterland and Ma Mor est morte speak without complacency but not without irony about the figures of the father and the mother in a fascist-leaning family structure. Léon Jacques, a former military officer and captain of industry, is fascinated by power and money. The mother, a complex, touching, and monstrous person, pits her children against one another […]