Père

A family chamber drama around 1900; Strindberg never ceased to denounce the society of his time, closed in on itself, prisoner to its moral principles and religious dogmas, yet the play raises the question of women's place, a theme that makes it modern, and that is the major conflict erupting between Adolph and Laura.

Assistant(s): Daniela D'aria, Élise Vega Beron

Costumes: Frédéric Morel

Music: Marc Laurette

Adaptation: Nicole Gros