Sans suite (un air de roman)

This is the story of a falling man. At the zenith of his career as a composer, Thomas loses his mother. He can no longer write. Everything collapses around him, and reality becomes populated with ghosts. Daring a musical comedy to recount a collapse is a bold gamble! Sébastien Bournac chose to commission writer Baptiste Amann, whose words love to play with contrasting shifts.

Singing rather than recounting inner chasms to take flight from reality. Daring to heighten feelings, amplifying emotional power to better touch the audience. With an enigmatic title that keeps us in suspense, this play is written like a novel, composed of three chapters, Thomas, Camille, and Adama, named after its three protagonists.

Three angles or three voices passing the baton to try to tell this story, in a kaleidoscopic and sensitive way thanks to music and songs composed by Pascal Sangla and performed on stage by 7 actors and 1 musician. A musical comedy that fully embraces counterpoints. From an existential crisis to gently sliding toward the true joy of being in the world.